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robotic hand of artificial intelligence, generating an abstract oil painting with a brush and oil paint. creativity and sensitivity with ai, and plagiarism or copyright issues
Généré par l'IA / Generated using AI
π Digital π Society

AI and copyright: the true, the false, and the uncertain

Camille Jalicot_VF
Camille Jalicot
Senior Lecturer in Private Law at Université de Bordeaux
Key takeaways
  • Copyright applies to any work that is the product of the human mind and demonstrates originality.
  • Scientific work that present only factual results, without any unique approach or particular organisation, may not be protected by copyright.
  • Ignorance of the use of protected works, which may be requested when generating content using AI, is a recurring problem when determining whether or not copyright infringement has occurred.
  • AI is not considered an “author,” but it can be used as a tool to lead to the creation of original works.
  • However, AI designers and entities that exploit them could claim benefits on the generated content and demand to be rights holders.

Writ­ing assis­tance, sum­maris­ing arti­cles, access­ing infor­ma­tion more quick­ly: today, the use of gen­er­a­tive arti­fi­cial intel­li­gence (AI) saves a con­sid­er­able amount of time and is sig­nif­i­cant­ly trans­form­ing the way we approach art, writ­ing and research. How­ev­er, many ques­tions regard­ing the sta­tus of AI-gen­er­at­ed con­tent remain unan­swered. On 27th Decem­ber 2023, the New York Times took Ope­nAI and Microsoft to the US fed­er­al court, accus­ing them of using mil­lions of their arti­cles to train their AI mod­els1. For its part, Ama­zon is fac­ing a mas­sive influx of AI-gen­er­at­ed books, with hun­dreds of works cre­at­ed by Chat­G­PT list­ed, rang­ing from trav­el guides to chil­dren’s books. Since then, the com­pa­ny has changed its rules which now require authors to dis­close whether their work was gen­er­at­ed by AI and lim­it­ing ser­vices to three pub­li­ca­tions per day per author.

Faced with a tech­nol­o­gy that is still large­ly unreg­u­lat­ed, many ques­tions remain. Are AI mod­els enti­tled to use copy­right-pro­tect­ed data to gen­er­ate con­tent? Can AI become the author of a work? Who owns the rights to AI-gen­er­at­ed con­tent: the user or the soft­ware design­er? Camille Jal­i­cot, senior lec­tur­er in pri­vate law at the Uni­ver­si­ty of Bor­deaux, answers our ques­tions about AI and copy­right, sort­ing out what is true, what is false and what remains uncertain.

#1 Any work, from novels to plays to scientific articles, can be protected by copyright

TRUE

Camille Jal­i­cot. The Intel­lec­tu­al Prop­er­ty Code does not dis­tin­guish between dif­fer­ent types of works. Copy­right pro­tec­tion applies to all intel­lec­tu­al works, regard­less of their genre, form of expres­sion, mer­it or intend­ed use. In prin­ci­ple, any work can be pro­tect­ed by copy­right. How­ev­er, to be pro­tectable it must meet one con­di­tion: it must be orig­i­nal.  How­ev­er, from a prac­ti­cal point of view, the answer is some­what more nuanced. While some works lend them­selves eas­i­ly to copy­right pro­tec­tion, this is not always the case. This is one of the dif­fi­cul­ties encoun­tered by researchers who write sci­en­tif­ic arti­cles: if they sim­ply present fac­tu­al results with­out organ­is­ing them in an orig­i­nal way, a court could con­sid­er that their work is not a pro­tectable intel­lec­tu­al creation.

There are cas­es where researchers have sought to pro­tect their work, but the courts have ruled that it could not be pro­tect­ed due to a lack of orig­i­nal­i­ty. On the oth­er hand, if a more unique approach is tak­en, a part of their per­son­al­i­ty could be found in their work, and it could there­fore be pro­tect­ed by copyright.

#2 AI can search through data without the consent of the copyright holders

PARTIALLY TRUE

Data min­ing is a tech­nique that allows AI to analyse third-par­ty data avail­able on the inter­net to train algo­rithms. At the Euro­pean lev­el, the Reg­u­la­tion estab­lish­ing stan­dard­ised rules on arti­fi­cial intel­li­gence refers to the rules laid down in Direc­tive 2019/790 of 17th April 2019 on copy­right and relat­ed rights in the Dig­i­tal Sin­gle Mar­ket2. In prin­ci­ple, text and data min­ing for sci­en­tif­ic research pur­pos­es by research organ­i­sa­tions and cul­tur­al her­itage insti­tu­tions is per­mit­ted pro­vid­ed that access to the data is law­ful3.

Sim­i­lar­ly, data min­ing may also be car­ried out by pri­vate enti­ties act­ing for com­mer­cial pur­pos­es, such as AI devel­op­ers. In prin­ci­ple, such min­ing is also per­mit­ted pro­vid­ed that these enti­ties access the data law­ful­ly. Rights hold­ers may, how­ev­er, restrict or pro­hib­it this prac­tice, but in this case they must express their refusal [Editor’s note: this is the “opt-out” mech­a­nism]. In a sense, the tra­di­tion­al legal frame­work is being reversed. Where­as copy­right law con­sid­ers any unau­tho­rised use of a work to be pro­hib­it­ed, the direc­tive intro­duces an excep­tion: in prin­ci­ple, data min­ing that has not been pro­hib­it­ed by the rights hold­ers of the work is permitted.

#3 AI can generate content that infringes copyright

TRUE

A major issue is whether AI can gen­er­ate con­tent that infringes copy­right. When a user asks Chat­G­PT an inno­cent ques­tion, is it pos­si­ble that the con­tent pro­duced by the mod­el could copy a pre-exist­ing work? Since AI is trained on data that is some­times pro­tect­ed by copy­right, it can gen­er­ate con­tent that is very sim­i­lar to exist­ing works, to the point of con­sti­tut­ing copy­right infringe­ment. For exam­ple, Dis­ney and NBCU­ni­ver­sal recent­ly filed a law­suit against Mid­jour­ney4, which gen­er­ates images that are heav­i­ly inspired by pho­tographs, such as those of Darth Vad­er or the Min­ions, which are pro­tect­ed by copyright.

Sim­i­lar­ly, if a sci­en­tif­ic arti­cle is gen­er­at­ed by AI, there is a risk that the gen­er­at­ed con­tent may be so sim­i­lar to oth­er arti­cles that it con­sti­tutes copy­right infringe­ment. This is detri­men­tal to users: AI does not pro­vide the sources of the ele­ments it gen­er­ates. It is unclear what is pro­tect­ed by copy­right and what is not in the raw con­tent gen­er­at­ed by AI, and there­fore how to use this data, which could give rise to litigation.

#4 Work produced using AI can be considered an “intellectual work”

UNCERTAIN

Beyond the ques­tion of data min­ing, there is also the ques­tion of the legal nature of AI-gen­er­at­ed con­tent, name­ly whether it can be pro­tect­ed by intel­lec­tu­al prop­er­ty law. In copy­right law, pro­tec­tion of a work aris­es sole­ly from the fact of its cre­ation. If you write a nov­el, paint a pic­ture or write an arti­cle, you are enti­tled to copy­right as long as the work is orig­i­nal, even if it is unfin­ished. How­ev­er, as there is no pri­or pro­tec­tion or steps to be tak­en in advance, the pro­tec­tion of the work remains hypo­thet­i­cal until a judge rules on its orig­i­nal­i­ty in the con­text of a legal dispute.

FALSE

How­ev­er, con­tent pro­duced by AI is not, a pri­ori, an intel­lec­tu­al work for one sim­ple rea­son: for a work to be orig­i­nal, it must be pro­duced by a human being. AI is nei­ther a human being nor a legal enti­ty. AI can­not there­fore be an “author”. We can already rule out the pro­tec­tion of raw con­tent gen­er­at­ed by AI under French copy­right law.

TRUE

It should be not­ed, how­ev­er, that con­tent gen­er­at­ed by AI may be sub­ject to spe­cif­ic pri­or research by the user. Depend­ing on the prompt writ­ten, AI can be used as a tool by an artist or researcher, in the same way as Pho­to­shop or Word. It can there­fore per­fect­ly well lead to the cre­ation of orig­i­nal intel­lec­tu­al works. As a result, we can­not rule out the pro­tec­tion of a work gen­er­at­ed by AI if we can per­ceive a cre­ative effort on the part of the author.

#5 AI can be the owner of the rights to a creative work

UNCERTAIN

Again, AI can­not be the own­er of rights. How­ev­er, AI design­ers, or at least the enti­ties that exploit them, could claim rights to the con­tent gen­er­at­ed. The lat­ter could invoke the cre­ation of the work and claim rights. As things stand, it is not cer­tain that such a claim would be suc­cess­ful, but if it were, the ques­tion would be “who would own what” and “accord­ing to which mod­el”. Would we be talk­ing about joint own­er­ship between the user and the design­er of the tech­nol­o­gy? Or would only one of the two be the owner?

This is a new issue, so we do not yet have a def­i­nite answer. This is main­ly because the legal process is slow­er than the pace of inno­va­tion, par­tic­u­lar­ly in the field of AI, where devel­op­ments are hap­pen­ing very quick­ly. How­ev­er, this does not pre­vent leg­is­la­tors from tak­ing an inter­est in these issues, and answers should there­fore be pro­vid­ed. This is a mat­ter to be mon­i­tored closely…

Interview by Lucille Caliman
1https://​www​.por​tail​-ie​.fr/​u​n​i​v​e​r​s​/​d​r​o​i​t​-​e​t​-​i​n​t​e​l​l​i​g​e​n​c​e​-​j​u​r​i​d​i​q​u​e​/​2​0​2​4​/​j​o​u​r​n​a​l​i​s​m​e​-​i​a​-​l​a​-​g​u​e​r​r​e​-​e​s​t​-​d​e​c​l​aree/
2https://​eur​-lex​.europa​.eu/​e​l​i​/​d​i​r​/​2​0​1​9​/​7​9​0​/​o​j​?​l​o​c​a​le=fr
3https://​www​.vie​-publique​.fr/​f​i​l​e​s​/​r​a​p​p​o​r​t​/​p​d​f​/​2​7​7​8​8​6.pdf p.34
4https://​www​.lemonde​.fr/​p​i​x​e​l​s​/​a​r​t​i​c​l​e​/​2​0​2​5​/​0​6​/​1​2​/​d​i​s​n​e​y​-​e​t​-​n​b​c​-​u​n​i​v​e​r​s​a​l​-​a​t​t​a​q​u​e​n​t​-​l​e​-​g​e​n​e​r​a​t​e​u​r​-​d​-​i​m​a​g​e​s​-​p​a​r​-​i​a​-​m​i​d​j​o​u​r​n​e​y​_​6​6​1​2​5​0​4​_​4​4​0​8​9​9​6​.html

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