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robotic hand of artificial intelligence, generating an abstract oil painting with a brush and oil paint. creativity and sensitivity with ai, and plagiarism or copyright issues
Généré par l'IA / Generated using AI
π Digital π Society

AI and copyright : the true, the false, and the uncertain

Camille Jalicot_VF
Camille Jalicot
Senior Lecturer in Private Law at Université de Bordeaux
Key takeaways
  • Copyright applies to any work that is the product of the human mind and demonstrates originality.
  • Scientific work that present only factual results, without any unique approach or particular organisation, may not be protected by copyright.
  • Ignorance of the use of protected works, which may be requested when generating content using AI, is a recurring problem when determining whether or not copyright infringement has occurred.
  • AI is not considered an “author,” but it can be used as a tool to lead to the creation of original works.
  • However, AI designers and entities that exploit them could claim benefits on the generated content and demand to be rights holders.

Wri­ting assis­tance, sum­ma­ri­sing articles, acces­sing infor­ma­tion more qui­ck­ly : today, the use of gene­ra­tive arti­fi­cial intel­li­gence (AI) saves a consi­de­rable amount of time and is signi­fi­cant­ly trans­for­ming the way we approach art, wri­ting and research. Howe­ver, many ques­tions regar­ding the sta­tus of AI-gene­ra­ted content remain unans­we­red. On 27th Decem­ber 2023, the New York Times took Ope­nAI and Micro­soft to the US fede­ral court, accu­sing them of using mil­lions of their articles to train their AI models1. For its part, Ama­zon is facing a mas­sive influx of AI-gene­ra­ted books, with hun­dreds of works crea­ted by ChatGPT lis­ted, ran­ging from tra­vel guides to chil­dren’s books. Since then, the com­pa­ny has chan­ged its rules which now require authors to dis­close whe­ther their work was gene­ra­ted by AI and limi­ting ser­vices to three publi­ca­tions per day per author.

Faced with a tech­no­lo­gy that is still lar­ge­ly unre­gu­la­ted, many ques­tions remain. Are AI models entit­led to use copy­right-pro­tec­ted data to gene­rate content ? Can AI become the author of a work ? Who owns the rights to AI-gene­ra­ted content : the user or the soft­ware desi­gner ? Camille Jali­cot, senior lec­tu­rer in pri­vate law at the Uni­ver­si­ty of Bor­deaux, ans­wers our ques­tions about AI and copy­right, sor­ting out what is true, what is false and what remains uncertain.

#1 Any work, from novels to plays to scientific articles, can be protected by copyright

TRUE

Camille Jali­cot. The Intel­lec­tual Pro­per­ty Code does not dis­tin­guish bet­ween dif­ferent types of works. Copy­right pro­tec­tion applies to all intel­lec­tual works, regard­less of their genre, form of expres­sion, merit or inten­ded use. In prin­ciple, any work can be pro­tec­ted by copy­right. Howe­ver, to be pro­tec­table it must meet one condi­tion : it must be ori­gi­nal.  Howe­ver, from a prac­ti­cal point of view, the ans­wer is somew­hat more nuan­ced. While some works lend them­selves easi­ly to copy­right pro­tec­tion, this is not always the case. This is one of the dif­fi­cul­ties encoun­te­red by resear­chers who write scien­ti­fic articles : if they sim­ply present fac­tual results without orga­ni­sing them in an ori­gi­nal way, a court could consi­der that their work is not a pro­tec­table intel­lec­tual creation.

There are cases where resear­chers have sought to pro­tect their work, but the courts have ruled that it could not be pro­tec­ted due to a lack of ori­gi­na­li­ty. On the other hand, if a more unique approach is taken, a part of their per­so­na­li­ty could be found in their work, and it could the­re­fore be pro­tec­ted by copyright.

#2 AI can search through data without the consent of the copyright holders

PARTIALLY TRUE

Data mining is a tech­nique that allows AI to ana­lyse third-par­ty data avai­lable on the inter­net to train algo­rithms. At the Euro­pean level, the Regu­la­tion esta­bli­shing stan­dar­di­sed rules on arti­fi­cial intel­li­gence refers to the rules laid down in Direc­tive 2019/790 of 17th April 2019 on copy­right and rela­ted rights in the Digi­tal Single Mar­ket2. In prin­ciple, text and data mining for scien­ti­fic research pur­poses by research orga­ni­sa­tions and cultu­ral heri­tage ins­ti­tu­tions is per­mit­ted pro­vi­ded that access to the data is law­ful3.

Simi­lar­ly, data mining may also be car­ried out by pri­vate enti­ties acting for com­mer­cial pur­poses, such as AI deve­lo­pers. In prin­ciple, such mining is also per­mit­ted pro­vi­ded that these enti­ties access the data law­ful­ly. Rights hol­ders may, howe­ver, res­trict or pro­hi­bit this prac­tice, but in this case they must express their refu­sal [Editor’s note : this is the “opt-out” mecha­nism]. In a sense, the tra­di­tio­nal legal fra­me­work is being rever­sed. Whe­reas copy­right law consi­ders any unau­tho­ri­sed use of a work to be pro­hi­bi­ted, the direc­tive intro­duces an excep­tion : in prin­ciple, data mining that has not been pro­hi­bi­ted by the rights hol­ders of the work is permitted.

#3 AI can generate content that infringes copyright

TRUE

A major issue is whe­ther AI can gene­rate content that infringes copy­right. When a user asks ChatGPT an inno­cent ques­tion, is it pos­sible that the content pro­du­ced by the model could copy a pre-exis­ting work ? Since AI is trai­ned on data that is some­times pro­tec­ted by copy­right, it can gene­rate content that is very simi­lar to exis­ting works, to the point of consti­tu­ting copy­right infrin­ge­ment. For example, Dis­ney and NBCU­ni­ver­sal recent­ly filed a law­suit against Mid­jour­ney4, which gene­rates images that are hea­vi­ly ins­pi­red by pho­to­graphs, such as those of Darth Vader or the Minions, which are pro­tec­ted by copyright.

Simi­lar­ly, if a scien­ti­fic article is gene­ra­ted by AI, there is a risk that the gene­ra­ted content may be so simi­lar to other articles that it consti­tutes copy­right infrin­ge­ment. This is detri­men­tal to users : AI does not pro­vide the sources of the ele­ments it gene­rates. It is unclear what is pro­tec­ted by copy­right and what is not in the raw content gene­ra­ted by AI, and the­re­fore how to use this data, which could give rise to litigation.

#4 Work produced using AI can be considered an “intellectual work”

UNCERTAIN

Beyond the ques­tion of data mining, there is also the ques­tion of the legal nature of AI-gene­ra­ted content, name­ly whe­ther it can be pro­tec­ted by intel­lec­tual pro­per­ty law. In copy­right law, pro­tec­tion of a work arises sole­ly from the fact of its crea­tion. If you write a novel, paint a pic­ture or write an article, you are entit­led to copy­right as long as the work is ori­gi­nal, even if it is unfi­ni­shed. Howe­ver, as there is no prior pro­tec­tion or steps to be taken in advance, the pro­tec­tion of the work remains hypo­the­ti­cal until a judge rules on its ori­gi­na­li­ty in the context of a legal dispute.

FALSE

Howe­ver, content pro­du­ced by AI is not, a prio­ri, an intel­lec­tual work for one simple rea­son : for a work to be ori­gi­nal, it must be pro­du­ced by a human being. AI is nei­ther a human being nor a legal enti­ty. AI can­not the­re­fore be an “author”. We can alrea­dy rule out the pro­tec­tion of raw content gene­ra­ted by AI under French copy­right law.

TRUE

It should be noted, howe­ver, that content gene­ra­ted by AI may be sub­ject to spe­ci­fic prior research by the user. Depen­ding on the prompt writ­ten, AI can be used as a tool by an artist or resear­cher, in the same way as Pho­to­shop or Word. It can the­re­fore per­fect­ly well lead to the crea­tion of ori­gi­nal intel­lec­tual works. As a result, we can­not rule out the pro­tec­tion of a work gene­ra­ted by AI if we can per­ceive a crea­tive effort on the part of the author.

#5 AI can be the owner of the rights to a creative work

UNCERTAIN

Again, AI can­not be the owner of rights. Howe­ver, AI desi­gners, or at least the enti­ties that exploit them, could claim rights to the content gene­ra­ted. The lat­ter could invoke the crea­tion of the work and claim rights. As things stand, it is not cer­tain that such a claim would be suc­cess­ful, but if it were, the ques­tion would be “who would own what” and “accor­ding to which model”. Would we be tal­king about joint owner­ship bet­ween the user and the desi­gner of the tech­no­lo­gy ? Or would only one of the two be the owner ?

This is a new issue, so we do not yet have a defi­nite ans­wer. This is main­ly because the legal pro­cess is slo­wer than the pace of inno­va­tion, par­ti­cu­lar­ly in the field of AI, where deve­lop­ments are hap­pe­ning very qui­ck­ly. Howe­ver, this does not prevent legis­la­tors from taking an inter­est in these issues, and ans­wers should the­re­fore be pro­vi­ded. This is a mat­ter to be moni­to­red closely…

Interview by Lucille Caliman
1https://​www​.por​tail​-ie​.fr/​u​n​i​v​e​r​s​/​d​r​o​i​t​-​e​t​-​i​n​t​e​l​l​i​g​e​n​c​e​-​j​u​r​i​d​i​q​u​e​/​2​0​2​4​/​j​o​u​r​n​a​l​i​s​m​e​-​i​a​-​l​a​-​g​u​e​r​r​e​-​e​s​t​-​d​e​c​l​aree/
2https://​eur​-lex​.euro​pa​.eu/​e​l​i​/​d​i​r​/​2​0​1​9​/​7​9​0​/​o​j​?​l​o​c​a​le=fr
3https://​www​.vie​-publique​.fr/​f​i​l​e​s​/​r​a​p​p​o​r​t​/​p​d​f​/​2​7​7​8​8​6.pdf p.34
4https://​www​.lemonde​.fr/​p​i​x​e​l​s​/​a​r​t​i​c​l​e​/​2​0​2​5​/​0​6​/​1​2​/​d​i​s​n​e​y​-​e​t​-​n​b​c​-​u​n​i​v​e​r​s​a​l​-​a​t​t​a​q​u​e​n​t​-​l​e​-​g​e​n​e​r​a​t​e​u​r​-​d​-​i​m​a​g​e​s​-​p​a​r​-​i​a​-​m​i​d​j​o​u​r​n​e​y​_​6​6​1​2​5​0​4​_​4​4​0​8​9​9​6​.html

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